Mimi Onuoha is a Nigerian-American artist and researcher whose work highlights the social relationships and power dynamics behind data collection. Her multimedia practice uses print, code, installation and video to call attention to the ways in which people are differently abstracted, represented, and missed by digital systems.

Onuoha has been in residence at Eyebeam Center for Art & Technology, Studio XX, Data & Society Research Institute, Columbia University, and the Royal College of Art. Her exhibition and speaking credits include venues like La Gaitê Lyrique (France), FIBER Festival (Netherlands), Mao Jihong Arts Foundation (China), Le Centre Pompidou (France) and B4BEL4B Gallery (San Francisco). Her writing has appeared in Quartz, Nichons-nous Dans L'Internet, FiveThirtyEight, and K. Verlag. In 2014 she was selected to be in the inaugural class of Fulbright-National Geographic Digital Storytelling Fellows, and in 2017 she was nominated as a Technical.ly Brooklyn Artist of the Year.

Onuoha earned her MPS from NYU Tisch’s Interactive Telecommunications Program. In 2018-19 she served as Creative-in-Residence at Olin College for Engineering. She is an Assistant Arts Professor at NYU Tisch.

Contact: mimionuohastudio@gmail.com

Photo credit: Amelia Hancock, Sarah Hallacher


I am an eternal hybrid, drawn always to in-between spaces. My work deals with the tensions at the heart of the "Information Age". I am fascinated by how metrified societies require the fluid, organic, messiness of people to be secured, tagged, categorized, and abstracted. In a world mediated by computers, everything begins to look like data, and that which doesn't fit the mold is at risk of being forgotten. My practice begins with these patterns of absence, which are always real and material and located within people, especially folks of color and folks of queerness and folks who have immigrated and folks who are stuck between categories.

I aim to trouble the assumptions baked into the technologies that mediate our experiences.